CONTINUUM by Karen Fuchs at Studio 905

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CONTINUUM by Karen Fuchs at Studio 905

Artist Visual Artist Family Friendly Kid Programming

An exhibition exploring momentum, resistance, and stillness across the human form and built space.

About

CONTINUUM – In physics, inertia describes the tendency of an object to remain at rest or in motion unless acted upon by an external force — a principle formalized by Isaac Newton in his First Law of Motion.
Continuum explores the unbroken thread that connects motion and stillness, body and structure, moment and duration. Through black and white photography spanning portraiture, athletic studies, architecture, and landscape, this body of work considers experience not as isolated events, but as part of an ongoing flow.
The figure embodies motion. Architecture embodies endurance. Landscape embodies time. Each is governed by forces seen and unseen.
Rather than presenting movement and stillness as opposites, Continuum positions them as interdependent states along the same trajectory. The body moves within structures; structures exist within landscape; landscape unfolds within time.
These photographs ask the viewer to consider where a moment begins and where it ends — and whether such boundaries truly exist. What appears fixed is part of a longer transformation. What appears fleeting leaves a lasting imprint.
Ultimately, these photographs examine the tension between continuity and interruption — between what persists and what alters us. Inertia is not simply a physical law; it is a metaphor for resilience, habit, identity, and change.
Everything continues —
until acted upon.

Bio

Karen Fuchs is a fine art photographer whose classically trained practice evolved from analogue to digital image-making while retaining the disciplined, “less is more” approach of film. Working primarily in black and white, she distills moments of motion and stillness through a precise use of composition, light, and timing. Following a near-fatal bicycle accident in 2017 and more than two years of rehabilitation, Fuchs’s artistic perspective shifted profoundly. The experience continues to inform work exploring resilience, perception, transformation, and the forces that move us—or hold us still. Often accompanied by written reflections, her photographs invite contemplation and emotional connection. Fuchs was shortlisted with five images for the Royal Photographic Society’s International Photography Exhibition 165 (2024). Her honors include an Honorary Master of Arts from Arts University Bournemouth and Elle UK’s New Talent of the Year. Her work has been exhibited internationally, including at the Smithsonian Arts and Industries Building, Phillips New York, and Mana Contemporary, alongside solo exhibitions in the U.S. and Europe. Based in Jersey City, Fuchs has been an active participant in its arts community and JCAST for more than a decade.

Participating Artists

1 participating artists

Featured: Karen Fuchs

Karen Fuchs

Art & Mediums

Photography
🛒 Artwork for Sale · $350 – $2000

Special Programming

not applicable

Location & Access
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Address 150 Bay Street, Jersey City, NJ 07302, 150 Bay Street #905 07302
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NeighborhoodDowntown · Ward E
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TransitPath Train to Grove Street
📅
Open DatesSaturday October 3rd & Sunday October 4th
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Open Hours12-5pm both days
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Accessibility ADA Accessible · Elevator Access · Restroom Available

CONTINUUM – In physics, inertia describes the tendency of an object to remain at rest or in motion unless acted upon by an external force — a principle formalized by Isaac Newton in his First Law of Motion.
Continuum explores the unbroken thread that connects motion and stillness, body and structure, moment and duration. Through black and white photography spanning portraiture, athletic studies, architecture, and landscape, this body of work considers experience not as isolated events, but as part of an ongoing flow.
The figure embodies motion. Architecture embodies endurance. Landscape embodies time. Each is governed by forces seen and unseen.
Rather than presenting movement and stillness as opposites, Continuum positions them as interdependent states along the same trajectory. The body moves within structures; structures exist within landscape; landscape unfolds within time.
These photographs ask the viewer to consider where a moment begins and where it ends — and whether such boundaries truly exist. What appears fixed is part of a longer transformation. What appears fleeting leaves a lasting imprint.
Ultimately, these photographs examine the tension between continuity and interruption — between what persists and what alters us. Inertia is not simply a physical law; it is a metaphor for resilience, habit, identity, and change.
Everything continues —
until acted upon.