CONTINUUM by Karen Fuchs at Studio 905
An exhibition exploring momentum, resistance, and stillness across the human form and built space.
About
CONTINUUM – In physics, inertia describes the tendency of an object to remain at rest or in motion unless acted upon by an external force — a principle formalized by Isaac Newton in his First Law of Motion.
Continuum explores the unbroken thread that connects motion and stillness, body and structure, moment and duration. Through black and white photography spanning portraiture, athletic studies, architecture, and landscape, this body of work considers experience not as isolated events, but as part of an ongoing flow.
The figure embodies motion. Architecture embodies endurance. Landscape embodies time. Each is governed by forces seen and unseen.
Rather than presenting movement and stillness as opposites, Continuum positions them as interdependent states along the same trajectory. The body moves within structures; structures exist within landscape; landscape unfolds within time.
These photographs ask the viewer to consider where a moment begins and where it ends — and whether such boundaries truly exist. What appears fixed is part of a longer transformation. What appears fleeting leaves a lasting imprint.
Ultimately, these photographs examine the tension between continuity and interruption — between what persists and what alters us. Inertia is not simply a physical law; it is a metaphor for resilience, habit, identity, and change.
Everything continues —
until acted upon.
Bio
Participating Artists
1 participating artists
Featured: Karen Fuchs
Karen Fuchs
Art & Mediums
Special Programming
not applicable
CONTINUUM – In physics, inertia describes the tendency of an object to remain at rest or in motion unless acted upon by an external force — a principle formalized by Isaac Newton in his First Law of Motion.
Continuum explores the unbroken thread that connects motion and stillness, body and structure, moment and duration. Through black and white photography spanning portraiture, athletic studies, architecture, and landscape, this body of work considers experience not as isolated events, but as part of an ongoing flow.
The figure embodies motion. Architecture embodies endurance. Landscape embodies time. Each is governed by forces seen and unseen.
Rather than presenting movement and stillness as opposites, Continuum positions them as interdependent states along the same trajectory. The body moves within structures; structures exist within landscape; landscape unfolds within time.
These photographs ask the viewer to consider where a moment begins and where it ends — and whether such boundaries truly exist. What appears fixed is part of a longer transformation. What appears fleeting leaves a lasting imprint.
Ultimately, these photographs examine the tension between continuity and interruption — between what persists and what alters us. Inertia is not simply a physical law; it is a metaphor for resilience, habit, identity, and change.
Everything continues —
until acted upon.